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Weaving

The combined arts of spinning and weaving are among the first essentials of civilized society, and we find both to be of very ancient origin. The fabulous story of Penelope’s web, and, still more, the frequent allusions to this art in the sacred writings, tend to show that the fabrication of cloth from threads, hair, &c, is a very ancient invention. This unified study connects 3 installed resource categories without replacing their source records.

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  • Historical Reference: A Biblical and Theological Dictionary

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A Biblical and Theological Dictionary

WEAVING

The combined arts of spinning and weaving are among the first essentials of civilized society, and we find both to be of very ancient origin. The fabulous story of Penelope’s web, and, still more, the frequent allusions to this art in the sacred writings, tend to show that the fabrication of cloth from threads, hair, &c, is a very ancient invention. It has, however, like other useful arts, undergone a vast succession of improvements, both as to the preparation of the materials of which cloth is made, and the apparatus necessary in its construction, as well as in the particular modes of operation by the artist. Weaving, when reduced to its original principle, is nothing more than the interlacing of the weft or cross threads into the parallel threads of the warp, so as to tie them together, and form a web or piece of cloth. This art is doubtless more ancient than that of spinning; and the first cloth was what we now call matting, that is, made by weaving together the shreds of the bark, or fibrous parts of plants, or the stalks, such as rushes and straws. This is still the substitute for cloth among most rude and savage nations. When they have advanced a step farther in civilization than the state of hunters, the skins of animals become scarce, and they require some more artificial substance for clothing, and which they can procure in greater quantities. When it was discovered that the delicate and short fibres which animals and vegetables afford could be so firmly united together by twisting, as to form threads of any required length and strength, the weaving art was placed on a very permanent foundation. By the process of spinning, which was very simple in the origin, the weaver is furnished with threads far superior to any natural vegetable fibres in lightness, strength, and flexibility; and he has only to combine them together in the most advantageous manner. In the beautiful description which is given, in the last chapter of Solomon’s Proverbs, of the domestic economy of the virtuous woman, it is said, “She seeketh wool and flax, and worketh willingly with her hands: she layeth her hands to the spindle, and her hands hold the distaff. She maketh herself coverings of tapestry,” &c. Such is the occupation of females in the east in the present day. Not only do they employ themselves in working rich embroideries, but in making carpets filled with flowers and other pleasing figures. Dr. Shaw gives us an account of the last: “Carpets, which are much coarser than those from Turkey, are made here in great numbers, and of all sizes. But the chief branch of their manufactories is the making of _hykes_, or blankets, as we should call them. The women alone are employed in this work, (as Andromache and Penelope were of old,) who do not use the shuttle, but conduct every thread of the woof with their fingers.” Hezekiah says, “I have cut off like a weaver my life,” Isa. xxxviii, 12. Mr. Harmer suggests whether the simile here used may not refer to the weaving of a carpet filled with flowers and other ingenious devices; and that the meaning may be, that, just as a weaver, after having wrought many decorations into a piece of carpeting, suddenly cuts it off, while the figures were rising into view fresh and beautiful, and the spectator expecting he would proceed in his work; so, after a variety of pleasing transactions in the course of life, it suddenly and unexpectedly comes to its end.

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WEAVING

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Dress

(1.) Materials used. The earliest and simplest an apron of fig-leaves sewed together (Gen. 3:7); then skins of animals (3:21). Elijah's dress was probably the skin of a sheep (2 Kings 1:8). The Hebrews were early acquainted with the art of weaving hair into cloth (Ex. 26:7; 35:6), which formed the sackcloth of mourners. This was the material of John the Baptist's robe (Matt. 3:4). Wool was also woven into garments (Lev. 13:47; Deut. 22:11; Ezek. 34:3; Job 31:20; Prov. 27:26). The Israelites probably learned the art of weaving linen when they were in Egypt (1 Chr. 4:21). Fine linen was used in the vestments of the high priest (Ex. 28:5), as well as by the rich (Gen. 41:42; Prov. 31:22; Luke 16:19). The use of mixed material, as wool and flax, was forbidden (Lev. 19:19; Deut. 22:11). (2.) Colour. The prevailing colour was the natural white of the material used, which was sometimes rendered purer by the fuller's art (Ps. 104:1, 2; Isa. 63:3; Mark 9:3). The Hebrews were acquainted with the art of dyeing (Gen. 37:3, 23). Various modes of ornamentation were adopted in the process of weaving (Ex. 28:6; 26:1, 31; 35:25), and by needle-work (Judg. 5:30; Ps. 45:13). Dyed robes were imported from foreign countries, particularly from Phoenicia (Zeph. 1:8). Purple and scarlet robes were the marks of the wealthy (Luke 16:19; 2 Sam. 1:24). (3.) Form. The robes of men and women were not very much different in form from each other. (a) The "coat" (kethoneth), of wool, cotton, or linen, was worn by both sexes. It was a closely-fitting garment, resembling in use and form our shirt (John 19:23). It was kept close to the body by a girdle (John 21:7). A person wearing this "coat" alone was described as naked (1 Sam. 19:24; Isa. 20:2; 2 Kings 6:30; John 21:7); deprived of it he would be absolutely naked. (b) A linen cloth or wrapper (sadin) of fine linen, used somewhat as a night-shirt (Mark 14:51). It is mentioned in Judg. 14:12, 13, and rendered there "sheets." (c) An upper tunic (meil), longer than the "coat" (1 Sam. 2:19; 24:4; 28:14). In 1 Sam. 28:14 it is the mantle in which Samuel was enveloped; in 1 Sam. 24:4 it is the "robe" under which Saul slept. The disciples were forbidden to wear two "coats" (Matt. 10:10; Luke 9:3). (d) The usual outer garment consisted of a piece of woollen cloth like a Scotch plaid, either wrapped round the body or thrown over the shoulders like a shawl, with the ends hanging down in front, or it might be thrown over the head so as to conceal the face (2 Sam. 15:30; Esther 6:12). It was confined to the waist by a girdle, and the fold formed by the overlapping of the robe served as a pocket (2 Kings 4:39; Ps. 79:12; Hag. 2:12; Prov. 17:23; 21:14). Female dress. The "coat" was common to both sexes (Cant. 5:3). But peculiar to females were (1) the "veil" or "wimple," a kind of shawl (Ruth 3:15; rendered "mantle," R.V., Isa. 3:22); (2) the "mantle," also a species of shawl (Isa. 3:22); (3) a "veil," probably a light summer dress (Gen. 24:65); (4) a "stomacher," a holiday dress (Isa. 3:24). The outer garment terminated in an ample fringe or border, which concealed the feet (Isa. 47:2; Jer. 13:22). The dress of the Persians is described in Dan. 3:21. The reference to the art of sewing are few, inasmuch as the garments generally came forth from the loom ready for being worn, and all that was required in the making of clothes devolved on the women of a family (Prov. 31:22; Acts 9:39). Extravagance in dress is referred to in Jer. 4:30; Ezek. 16:10; Zeph. 1:8 (R.V., "foreign apparel"); 1 Tim. 2:9; 1 Pet. 3:3. Rending the robes was expressive of grief (Gen. 37:29, 34), fear (1 Kings 21:27), indignation (2 Kings 5:7), or despair (Judg. 11:35; Esther 4:1). Shaking the garments, or shaking the dust from off them, was a sign of renunciation (Acts 18:6); wrapping them round the head, of awe (1 Kings 19:13) or grief (2 Sam. 15:30; casting them off, of excitement (Acts 22:23); laying hold of them, of supplication (1 Sam. 15:27). In the case of travelling, the outer garments were girded up (1 Kings 18:46). They were thrown aside also when they would impede action (Mark 10:50; John 13:4; Acts 7:58).

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Weaving, weavers

Weaving was an art practised in very early times (Ex. 35:35). The Egyptians were specially skilled in it (Isa. 19:9; Ezek. 27:7), and some have regarded them as its inventors. In the wilderness, the Hebrews practised it (Ex. 26:1, 8; 28:4, 39; Lev. 13:47). It is referred to in subsequent times as specially the women's work (2 Kings 23:7; Prov. 31:13, 24). No mention of the loom is found in Scripture, but we read of the "shuttle" (Job 7:6), "the pin" of the beam (Judg. 16:14), "the web" (13, 14), and "the beam" (1 Sam. 17:7; 2 Sam. 21:19). The rendering, "with pining sickness," in Isa. 38:12 (A.V.) should be, as in the Revised Version, "from the loom," or, as in the margin, "from the thrum." We read also of the "warp" and "woof" (Lev. 13:48, 49, 51-53, 58, 59), but the Revised Version margin has, instead of "warp," "woven or knitted stuff."

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